Dhund ~ Episode 2 Review


The second episode proves the fabulousness of the first episode was not a fluke.

This week’s installment featured Hania, a grieving daughter trying to come to terms with the untimely loss of her beloved father. A highly impressionable teenager, she wants desperately to communicate with her dead father, just like in Conjuring. So fixated is she on her quest that anything or anyone who comes in between is deemed an interference, a unnecessary annoyance – be it her mocks or her mother, all filed under the nuisance, waste of time category.

What Hania has conveniently chosen to block out is that her mother is grieving too. She may seem stoic and unfeeling but like her daughter she too has lost a lifeline. Her daughter hurls all kinds of hurtful accusations at her but she absorbs it all. Yes, she was never at home, never arranged birthday parties, never did any of the things that perhaps Hania’s friends’ mothers do. But how could she? Her husband was an artist whose work sold sporadically, and with a growing child in the house the need for a steady income was a given.

Impressive as his writing is here, it is in his exploration of this mother-daughter dynamic that Mohammed Ahmed shines brilliantly. We have dramas galore that claim to represent women’s issues, but what Dhund illustrates in the span of 40 or so minutes they are unable to do in 20+ episodes. Hania’s behavior mirrors societal attitudes towards working women. It is easy to castigate and hurl accusations: being materialistic and uncaring, but did anyone stop to ask this working woman if she ever had a choice in the matter? Did anyone ask her what she wanted?

Sania Saeed plays this nameless woman. She is the dead painter’s widow, Hania’s mother, Imran’s co-worker – we know her only in terms of the relationships in her life. But who is she as an individual? What about her needs? Her husband’s been gone for less than a month but she is back at work – at office and at home. Where is her time to grieve? Doesn’t she deserve a break? Perhaps time to sit and finish her breakfast? Why does she feel so guilty all the time?

That so much is conveyed without long-winded dialogues and preachy lectures is a tribute to the writer, director and yes, the actor. Sania is breathtakingly magnificent; this has to count among her better performances in recent years – she is just that good here. The girl playing her daughter is very good and effective as the bratty Hania. I appreciate how her story underscored the difference between a teenager’s imagination and a medium’s vision. The child desperately wants to believe the notes are from her father, whereas Maria actually sees Haniya’s dead father. And on the that, the third angle in this family triangle, the dad, was an absolute no-go for me. That he was ineffective is putting it mildly.

Speaking of ineffective, Hassan Ahmed disappoints as well. Appearance-wise he is well-cast, but that’s about all. For a character that is supposedly dynamic he is anything but, and though it has only been two episodes I am already bored by his listless dialogue delivery. And that is a shame, because Uzair is the connect between Maria’s frame story and Hania’s nested one.

It is a credit to the writer – director team for their skillful weaving of the two tracks, separate yet together. Haniya’s mother works at Imran’s office and Imran is Maria’s husband. It is through his coworker that we get more details about Imran’s mysterious other life. What were all those trips to Lahore about? Is he still alive? What is Nini’s connection here? Who is Arjumand, is she dead or alive?

Each passing episode opens up more questions, building up the tension bit by bit. The designing of this story is done so intricately that we are gradually getting to know these characters without being offered any solid chunk of information about them. The fact that both of the nested stories so far were left unresolved is yet another welcome change. Jahan Ara’s fate may perhaps never be revelead to us and we may never get to know whether Haniya gets over her preoccupation with her father’s ghost, but that’s perfectly alright. I am liking the open-endedness we are seeing here, and enjoying the unexpected dash of humor.

So far Maria has been an unwilling participant, but now with Fawad, her son’s well-being at stake will she be willing to engage with these so far unwelcome visitors to her home? And if she does, will more ghosts start lining up at her door to get their stories heard? Maria Wasti is very good as the reluctant medium, her over styled hair and makeup not so much.

Two episodes is far too early to predict the fate of a series, but if what we have seen is any indication then I am quite happy to come along for the ride. Scary stuff + social issues + humor + intelligent writing + good direction + brilliant acting = a two thumbs up review.

So yes, I am a happy camper, what about you all?

Written by SZ~



11 replies

  1. Count me too… i am loving this series..hanias track wouldnt have been that good if Sania Saeed wasnt playing mothers role.. she is absouletly magical.. love how shr brings such natural touches to her characters.. even girl playing Hania was good.. so she used to take those chits n in deliberately left the last chit .. was playing psychologically along with ofc mr fathers presence.

    I am really intrigued to find more about imran and arjumand.. why i feel he is involved in neeli’s death.. but anyhow looking forward to more cases


    • @Rehmat: Glad am not watching this alone 🙂

      Re: Arjumand: Do you think she’s dead or alive? The way she came in all dressed up had me wondering ..
      And wow that Imran! He seems to be a real piece of work .. wonder how an otherwise with it woman like Maria had no clue abt her husband’s shady side activities?!


      • I think she is alive.. going by what neeli said.. plus if she would have been dead as izzat se thori aati..

        Reg Imran.. haan true.. n.more so he has taken fawad as well..such a shrewd man he is..


        • True .. It was her OTT makeup and styling that had me wondering .. itni taiyari? But then that too is interesting in its own way because it raises questions abt her background .. and now that Im thinking abt it, if it is that way, then its even more intriguing as to how Imran got mixed up with her.. and how much did Maria really know her husband…


  2. I really enjoyed this episode, and mostly because of Sania Saeed. How great was she as the grieving widow/confused parent! She’s such a massive talent, and honestly, is there anything this woman can’t do? Wow.

    That said, I’m not sure exactly how this track relates to Maria and the rest of the plot beyond Sania’s character being critical to Uzair discovering Imran’s extra-curricular activities in Lahore. We know that Hania’s dad really is hanging around because Maria sees him, but Sania seems to be engineering the trick with Hania’s notes, so I’m not sure what’s going on there?

    Also, I think Arjumand is dead, because she had the same hyper-focused expression on her face that Jahan Ara had in the first episode. But I’m willing to be persuaded otherwise.

    Is each episode meant to be stand-alone, or will some characters and plot lines come back?


    • @RK: As far as I can gather (resisting the temptation to check with Ahmed sb) these are meant to be stand-alone stories, with some link connecting it to the frame one.

      Each of these stories, again, purely my opinion, brings to light some issue or the other, so last time it was the women whose lives were sacrificed/taken in the name of patriarchal honor, this time it was about fixed definitions of what constiitutes a “good” parent and easily influenced young minds … I am liking how this series is defying easy categorization as purely a supernatural thriller .. .

      Re: the dead dad, yes he was around and I thought it was interesting to see how the writer/director mixed up the real vs fictional.. mom was doing the notes but the wind chimes were him (? seemed like it to me).. But, yes, all open to interpretation ..

      Haina! Ok, so one more person who thought Arjumand was dead … dekhtey hain ..


    • @RK… hahahaha @ hyper focused expression 🤣 too good.. chalo then this arjumand has left all of us thinking..

      I think characters might come back to force maria to do their left desires.. because then her son is on stack..


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.